How Drawing can be as easy for you as Writing: The A, B, Cs.
April 20, 2012 in Beginners, Lvl 0
--Leonardo Da Vinci <=CLICK TO TWEET
There truly is no reason to be embarrassed about your drawing skills, especially since you've been drawing all this time and never knew it.
In this post, you'll learn to become confident and control what you put down on a page.
Imagine you're at the dinner table and you pick up a napkin, take out a pen, and begin to doodle. Your dinner companions take a look at what you're doing and are actually impressed:
"That's cool, I can't even draw a straight line!"
By the time you're done with this lesson, you'll be able to produce some pretty cool drawings and your friends will never even realize you're practicing.
Won't that be something? Are you ready to begin?
Let's get to it.
Drawing is like Writing
Handwriting is basically drawing symbols on a page.
The art of calligraphy really makes this statement even more obvious.
You've been practicing writing for so many years that it's become second nature. You put the symbols (a.k.a letters) on the page in order to create words, which are themselves symbols.
The truth is, just as words can be broken down into the letters that make them up, drawings can be broken down into the "letters" or symbols that create them.
The symbols just happen to be much more elaborate which can make them look complicated, but all drawings can be broken down into much more basic components.
The simple A, B, Cs of Drawing
All good drawing is made up of three kinds of lines:
- Straights
- "C" curves
- "S" curves
You know how to do everyone one of these lines. You've been doing them for years without really noticing.
When you write a date with dashes or slashes, you're drawing little straight lines. You even do it when you write a check after you hand write a dollar amount and put a straight line at the end.
Anytime you write a "C" you're drawing a "C" curve.
The same goes with "S"s and "S" curves. The only real difference is the length or size of these lines.
The trick to drawing is simply deciding what line you're going to use and where.
When drawing a cartoon, when drawing from life, when drawing ANYTHING, before you put down any kind of stroke, consciously decide which line you're going to put down.
This is counter intuitive at first, but the point is to make you aware of it so that you can get used to it. Once you do this enough times, it will become second nature, just like when you write words.
An Example of How Lines are Used
Animated cartoons are some of the best ways to see these types of lines applied.
In the 90s, there were a few popular superhero cartoons that used what is now called the "Bruce Timm style". This style is one of the best styles to see the lines I've just mentioned applied.
Here's a sample of what the style was like and how the lines can be seen:
Because cartoons have to simplified so much, they lend themselves to the study of lines.
Your Exercise
Here's an exercise you can do anywhere that will help you gain confidence and help you get the right hand-eye coordination.
Draw a box or a rectangle (really the shape doesn't matter), then simply draw straight lines inside the shape, in any direction you want. Do as many as you want.
Something like this:
Looks like an abstract piece of modern art doesn't it?
If you get tired of doing these, you can start doing it with the "C" curves:
Or the "S" curves:
Hey, you can even use all three lines in combination:
Darken in some of the shapes:
Or even add color:
Do these exercises until you feel comfortable doing them and believe you can move on to the next thing. This will be different for everyone. You are the best judge of your progress.
The point is to have fun while you get comfortable putting lines on paper and making them do what YOU want them to do. In the end, you even end up with some cool drawings. Drawings you can show off to your friends. It's a win, win.
The beauty of this exercise is that you can do it anywhere. During a boring meeting, at lunch, while you watch TV, when you're on the phone, during a boring class, while you're driving...well maybe not then but still, it's versatile.
There really isn't an excuse. It's easy and fun, so try it out.
Trouble?
Q: My lines looks all shaky and ugly. Your lines look nice. What am I doing wrong?
A: It's an problem of speed and confidence. When you write, do you have shaky lines? No, they just look like letters. It's because you're confident in your execution. The same goes with drawing. When you were little and learning to write, you letter looked just as shaky. The more you do it, the more comfortable you'll get and the faster you will allow yourself to draw the lines.
It's like doing pushups. At first you can only do so many, but the more you do it, the more you could do, and the better you are at doing them.
Pro tip
Pay very close attention to this exercise. It may very well be the key to unlocking the secrets of composition, in a more advanced level of drawing.
Questions?
I can't help you if you don't ask.
Are you having trouble with anything written about lines? Let me know.
What's your burning drawing questions?
Is there something you've always wanted to know about drawing? Ask.
I'll give you my best answer and, who know, probably write a post about it.
Leave any comments and questions in the comments below.
Or better yet, sign up to receive more information via e-mail. You'll get extra tips and advice. You can ask me questions that way also.
Hey Luis.I’ve got a problem that is really bothering me.Even when just drawing lines just like in this exercise I tend to smudge them with my hand.Are there any other ways to prevent this from happening besides wearing gloves and keeping something underneath your hand to prevent smudging?
P.S Thanks for creating this page.So far I tried to get into drawing like 5 times or so but I never really got to try and learn it for more than a couple days because I was feeling horrible because I couldn’t do anything,and every source just felt like math to some extent.You want to be good at it but you just don’t really want to do it because it’s boring and takes a long time just to get the bases of a lesson.On the other hand your approach combines both fun and actual exercising,and the fact that you are able to create nice drawings by just doing simple lines without knowing anything about drawing is really pleasing and motivating for people that just started getting into drawing.
Hi Bronco,
Thank you for the kind words.
I’m afraid that there’s no way to stop the smudging without putting something over your drawing to protect it as you go. If fact, many artists do it for exactly that.
It’s even worse with oil painting. Artists use a stick to be able to anchor their hand on something while keeping it away from the canvas.
It’s just one of those artist things.
Your lessons are very well thought out and your presentation is a lot of fun! I have a question about speed. Should I concentrate on drawing curves and lines fairly quickly for smoothness or more slowly for accuracy? Thanks.
Hi Paul,
Thanks for the question.
It’s possible to draw slowly AND smooth. The more you do this the faster you will get.
I made a video explaining how to draw a good animation clean up line, if you want to see what I mean:
https://youtu.be/jugiww-OvKY
Hi, I’m a 13 year old and I have horrible handwriting, I’ve been practicing but I can’t seem to get any better, I’m really facinated with drawing and I just need a tip, is there a way to keep my hand from shaking when I write or draw?
Hi Jacob,
Thanks for the question. I still have horrible handwriting but that’s mostly because I’m lazy about my handwriting. Otherwise I would work harder at making it look better.
Do you have shaky hands because of a muscle disorder of some kind or do you have shaky hands for some other reason? If the former, I’m not sure I can help since I’m not a doctor. If the later, it may be that you’re putting WAY too much pressure on your hand, on yourself, on being perfect,…lot’s of reasons, mostly mental and you may just need to relax a bit more.
One of the first things I was taught when I went in and started a figure drawing class, was to hold the pencil different than I would when I wrote. The idea being that the way we held the pencil would force us to use our shoulder, rather than our fingers wrist and fingers. Here’s a video, that start silly, explaining the grip we were taught:
https://youtu.be/nMqETeQrgqU
I tend to use the “Tip Heavy Overhand Grip,” more than anything else when figure drawing:
http://thevirtualinstructor.com/blog/wp-content/uploads/2014/02/TopHeavygrip.jpg
Perhaps holding the pencil a different way my help you.
I hope that answers your question.
I have VERY little drawing skill. I can very clearly visualize what I want to Draw and how to draw it, but once I go to actually put it on paper, I completely mess it up. Do you have any tips or suggestions for me to be able to put what I visualize on the paper?
This is the most common problem anyone who can draw has. The ideal picture in your often doesn’t pan out the way you want.
One of the things you need to do is do rough draft versions of what you want to do. Draw a rough pass that you know isn’t perfect. Then work over that and do another pass, then another. Each pass should get closer to what the drawing have in your mind. Don’t assume you’ll get it right the first time.
In the end, if you get it close but it’s not exactly perfectly what you intended, congratulate yourself for being just like almost every artist ever.
when are u gonna post the other lessons….im just a kid who wants to learn how to draw and im broke….so i can’t purchase the book……pls do the ther lessons
Hi Lexy,
Thanks for asking. Well, I’m just one guy trying to do my best to get the information other there. I’m doing my best. I write more for each lesson everyday and send out what I’ve written to my Newsletter subscribers so they get the information first. Once I’m done writing a lesson, I post it up. I’m creating everything as fast as I can considering this isn’t my full time job.
I’m afraid you just have to be patient. HOWEVER, if you have any pressing questions you’d like to know about right away, maybe you can ask them and I can answer via video on my personal Youtube channel:
https://www.youtube.com/channel/UCBdtZ-Mne_9gxCWgO4aaAIA
I am glad to find this! I’ve never had confidence in drawing, started and quit so many times. I liked this first exercise, it’s simple and non-threatening enough to not feel overwhelmed right away. It was actually fun. Looking forward to an exciting new journey, but for now I’m going to make more lines and curves to color. Thank you!
Thank you!
Let me know if you have any questions or if something isn’t clear.
I wish I could write, my handwriting is illegible to everyone except myself 😛 should I start with that first?
Well, if your handwriting is really that bad, you should do both. Not just writing but drawing as well. Working on one skill compliments the other.
Good morning! Thank you for this site. I drew a little bit as a child but never progressed very far. I’m thinking about picking it up again as a way to relax and allow some creativity to flow. I am so glad I found your site! Thank you, thank you!
Yay Windi!
I’m glad you find this helpful.
I always wished I was gifted with the talent to draw, I could picture so much in my mind but I can never express it on paper.
This tutorial is very clear and helpful, I am really grateful.
Thank you Sherif,
I glad you’re finding it useful.
Hi, i’m not really a stranger to drawing, I just haven’t done it often. So my question is, how come I become shaky when I’m drawing a circle, I know you said something about me getting used to my “A,B,C’s”. But can you explain that quote in a more simpler way. Much appreciated if you did.
Hi Carlos,
Thanks for the question.
Basically, you simply have to draw more circles. Lots and lots of circles. You have to draw so many that messing up drawing a circle doesn’t ever bother you because you know you can simply draw another one. It’s like writing words. If you mess up a spelling or a letter, you don’t ever sweat it because you’ve written so much, you can quickly fix it.
Hope that clarifies what I meant.
Wow! That actually clarify’s a lot, thanks.
Man i can’t thank you enough!!! I’ve always wanted to start drawing but I was always scared of the amount of info i had in front of me.. Plus the shaky hand problem 😛 But you just make it seem so easy and fun!! Thank’s a lot!! I’m looking forward to your other chapters!!
I’m glad you’re getting so much out of it AntonDan.
Hi, probably late on this … Do you have recommendation on eacom lines? I mean since i have one, i sm doing the exercises with it (save paper too lol) but i kinda don’t really know how to get drawing lines with it (e.g the end of lines should be more pointy and pressure lines) … Any help on these? Thx
Hi Alibb,
Sorry, I’m not quite sure what a eacom line is.
Sorry huge typo!!! WACOM, i meant to type wacom tablet … :/ i am using it with photoshop but can’t really get the lines … Hope u can help on this 🙂
Ha ha ha! No problem, that clears things up.
Okay, Wacom tablets…
I had one for years and was never able to draw a controlled line with it. It was very frustrating. I used it to color my work with. It was very easy for me to do that but I never really drew with it. It was too difficult to control and I simply didn’t WANT to put the time in to get good at using it.
The disconnect between the table and the screen was too much for me. The only way to get good at drawing with a tablet is to practice until you get it. If you’re willing to put in the time, it will come.
However, there is also the Wacom Cintiqs.
Using a Wacom Cintiq is another story all together. The Cintiqs are monitors you can draw on that are as good as the tablets. No disconnect. The experience is somewhat like drawing on glass with a Sharpie Marker but it’s way better than using a Tablet. That said, those things can be pretty pricey.
Even using a Cintiq, getting a nice clean line using Photoshop is a bit of a pain. It’s much easier to use analog tools.
That said, if you want to have the best program for drawing clean final lines on your art, use Manga Studio instead. I made a video explaining why I like that program to ink with if you’re interested. Here’s the link:
https://www.youtube.com/watch?v=6x7yBuzYH2I
I think if I had been using Manga Studio with my Wacom Tablet, I would have had a much easier time drawing with it.
I hope that helps.
Hello,
Just mentioning this upfront I like your site a lot. 🙂
I have a question if you don’t mind. I’ve started to do the exercises you recommend here however I’ve run into the same wall as I always do. So, I tend to doodle when I get bored mostly floral stuff using curved lines and maybe some straight ones once in a blue moon. The doodle it’s nothing great, but it works as long as i don’t think about it. It sort of “flows” for a lack of a better term. Once i start thinking about it, then it’s not working anymore. It’s like I suddenly lost half of my IQ.
I can’t draw a certain mental image, not even something that I did before. And if I try to draw a real thing… stuff of nightmares.
So how could I overcome this? Any advice would be greatly appreciated!
Hi Iana,
Thank you for the kind words.
What you experience is perfectly normal. In fact, it’s normal in a lot of skills besides drawing.
Ideally, what you want out of a skill is what you’re talking about when you say that you can draw floral stuff without thinking about it. The thing is, in order to get to that level, you have to do it consciously and when you start doing that for the first time, you experience exactly what you’re saying. Nothing comes out the way it ought.
That’s what practicing is all about. The best way to get you’re body and mind to become one is to do it over and over until drawing becomes second nature.
There might be another thing you might be doing that isn’t helping. There’s often an assumption that drawing well is something an artist does on their first pass. That what they first draw is the final drawing.
On the contrary, this is not the case for most professional artists. Take me for example, when I draw something I usually do at minimum, three passes to get a drawing to a final stage: A light gesture pass, and tighter rough, and then a final line. Sometimes, I don’t even know where I’m going until I explore it in the gesture pass.
You may be thinking that you should be drawing some finished drawing from the start. It takes YEARS of training before you can manage something like that. Most pros do at least two or three passes to get to a final drawing.
Allow yourself the luxury of multiple passes on a drawing. Allow yourself the luxury of messing up. Pros do it all the time. It’s not the messing up that but the perseverance that makes an artist good.
Read the Level 0 lessons on this site, you may start to understand what you’re missing.
I hope that helps,
Luis
I never thought about the abcs and lines being so similar. Add salt to the wound, it didn’t take me long to figure out kanji ( japanese symbols ) were just like drawings.
Doh!
Well, at least now you have a good way to think about drawing.
Its only been a day n m loving da site
Cool! Thank you Peresh.
Im glad I found this site, it really helps a lot, thank you for that!
However, I have a problem with drawing straight horizontal lines. They always end up completely messy. My vertical lines are much better, i just don’t know how to hold my hand when i draw them horizontally.
Should I move my fingers, my wrist or my complete arm? I guess this depends on the length of the line?
Hi Sebastian,
Thanks for the question.
Well, actually the problem is easier to fix than you may think. If you’re having trouble drawing horizontal lines but you can draw better vertical lines, then all you have to do is when drawing horizontal lines is rotate the paper so you’re drawing the horizontal lines the way you draw vertical lines.
Work with your natural body’s tendencies. Make it easier on yourself. There’s nothing wrong with rotating the paper to get the lines you want to make. I do it all the time. And if for some reason I can’t rotate the paper, I often end up rotating my whole body to get the same effect.
I hope that helps,
Luis
Hey, I’ve a problem.
“It’s an problem of speed and confidence. When you write, do you have shaky lines? No, they just look like letters.”
My hand writing looks like absolute shite. Even when I slow down and try, it looks like a 6 year olds. And when I don’t, it’s worse than a doctors. So, uh… yeah. Keep trying anyway?
Hi I was wondering if you could give me a guide on how many of these lines/C´s/S´s I should practice. Please give an estimate. I have the wonderful knack of doing one of two things 1) Do too many cause I overdo things OR 2) Do one of each cause I want to move on to the next fun thing 🙂 So far I have done 12 so 4 of each pattern.
Hi AnikenjeCornthwaite,
Sorry that I wasn’t clear about how long it should take. I’ve now added that information to the post. To answer your question:
Do these exercises until you feel comfortable doing them and believe you can move on to the next thing. This will be different for everyone. You are the best judge of your progress.
So if you think you’ve got it. Move on. If you move on and for some reason things aren’t really working, you might want to go back a practice these exercises again.
I hope that helps.
Thank you Sir 🙂
Luis you’ve given a good read here, it’s a lot more fun to read your lessons then some of the “vanilla” stuff elsewhere. what I’d want from learning is a style quite familiar to anime/manga, so I imagine that’s a bit less then a true master (which would of course be level Da Vinci) my question is more of a statement, to the trained eye, how often does an anime/manga artist reuse lines and features for all their characters? just curious, it may affect my outlook when I’m at the stage to create my own
Thanks for the question Kevin. Before I answer though, I just want to say that I really like Anime/Manga style and I sometimes draw in that style myself. The better you’re draftsmanship is, the better you’re able to pull that style off.
So, how often does an anime/manga artist reuse lines and features for all their characters? As often as any other comic artist. It depends on the artist and how fast they can draw. If it’s faster for the artist to retrace or reuse their old drawings, they will. If it’s faster for them to just draw the character from scratch, they will do that instead.
In the end it’s up to the individual artist. That said, I’ve done both. I’ve reused my work and drawn it from scratch and I can say it’s far more fun do draw from scratch. The problem with reusing or retracing old work it that it makes drawing boring. It takes away the challenge and creativity and makes drawing very mechanical. It can stiffen up your drawings and it just makes the process dull. You also don’t improve as fast.
All that said, sometimes its a time saver and lets you speed up the process. I prefer not to do it if I can avoid it.
So it really depends on each artist and their preference. The less skilled an artist is, the more likely they are to do it. Ironically, it also keeps them from increasing their skills.
Hi. Thank you so much for this! I really like the definition of drawing as Kung Fu. When I’m sketching from observation, I never know where to start, even after mentally sketching before I put pencil to paper. I worry about not starting at the most efficient place or the place with the most light. Any advice? Thank you 🙂
Hi Angela,
Thanks for the question. It’s a good one.
First, I’m very impressed that you mentally sketch before you even start. That’s actually a very advanced way of thinking about drawing. Very good.
It’s a bit tricky to answer your question, not knowing your whole process so I’m going to take a bit of guess based on the little information you’ve given me.
The intent of the drawing, dictates where you begin. For example, if you’re drawing a person in a dynamic pose and want to capture it’s power, you start with gesture and the longest line. Very rough, trying to capture the essence and emotion of the pose. However, if you think the person is unique looking and want to draw their likeness, you then start with flat shapes that capture the placement and feature that make up the person’s look. If you’re drawing an environment, then you sketch in a frame and quickly start placing the flat shapes within the frame that make up the composition you want to create.
In all these examples, you start with the “the big picture.” A light sketch of “what you want to say.” A “road map,” of where you’re taking your drawing. No real details. Once you have that down, you can then start mapping out things like dark and light areas, as well as solidifying the drawing to look more structural. Then at the end, add some details where they’re needed.
I hope that helps. Again, not knowing your process and not knowing what you know, I’m taking a guess at what you might find the most useful.
Again, Angela, thanks for the question.
hi my names is Ben and i do have a little bit struggling with my drawings sometimes but i would like to tell you that i`v done great drawings in my hole times plus i love this website and i am doing this for class so i can do well oh and i have know problems with my lines.
That’s great Benjamin! Thanks for sharing!
Hi Luis,
Thanks for all the clear and concise instructions for getting started. It’s been almost 10 years since I’ve really tried to seriously draw anything so I’m a little excited to try and start up again. As for my question, I’m left handed, and so my hand tends to get in the way sometimes of what I’m drawing or even writing and can end up making a mess. Do you have any tips or know any left handers that use certain methods to get the least amount of interference from a pesky left hand?
Thanks for the question James,
This is a tough question for me to answer since, I’m not left handed.
I’ve worked with many left handed artists. I can tell you what I’ve observed.
They hold their hands funny. By that I mean, they’ve adopted a work around the problem by putting their hands above the drawings rather than the next to it.
It’s tough to explain without showing you but they kinda hook their hands over the drawing.
Thankfully I just found a photo on the internet that actually shows exactly what I mean:
http://tutorialsfactory.com/uploads/darrel-tank-video-blog-response-to-rick-s-question-about-left-handed-tapered-stroke-direction-2162.jpg
I hope that helps.
Thanks. When writing, I sometimes have to turn my paper at an angle to get the same effect so I guess I can keep doing like I normally would. Thank you for the reply.
I did the exercise as instructed, I draw lines and curves inside a border any way I want. But then you say to darken in some of the shapes. Well there are no shapes for me to darken. What instruction did I miss?
Thanks the question David,
I’m afraid I’m in a bit of a disadvantage since I can’t see your drawings to see exactly what you’re talking about.
That said, I will try my best.
One of the reasons I did the exercise myself is to show you an example of what I was talking about.
When I wrote that you should draw the lines anyway you wanted, I assumed that they, in some way, connected to each other by stopping when they touched or overlapped each other. Just as I showed in the example. If you did this, you would have shapes to color in like I did in the example.
I hope that helps. Have a great day.
OK.
I do not know how to draw. I do not understand drawing. To complete these exercises correctly requires more knowledge of drawing than I have.
Can you point me to a resource for people who can’t figure out how to draw on their own? I would like to learn but every resource I find the instructions are so vague I am lost and doing it all wrong right from the start.
Thanks
Hi David, thanks for the question.
I’m assuming you read the intro and the full first lesson but the exercise is still too complicated.
I can understand that.
Just remember, if you can write the capital letter “I” you are drawing a straight line, when you write the letter “c,” you’re creating a “c” curve. When you write the letter “o” you’re drawing a circle. When you say I don’t understand drawing, you’re ignoring the fact that you are ALREADY drawing. The very fact that you can write letters is proof that you can draw since writing is a type of drawing. The difference is your learning method and practice.
To answer your question I’ll give you one method and one source you can use. First the method:
When we were little and were learning to write, we first had to trace the letters to get used to making the strokes. Once we did that we where asked to copy the letters.
Seeing as drawing is like writing, why not do the same thing here. Get some tracing paper and TRACE the exercises in this lesson. Do each one a few times (four, just to throw out a number.) Once you do that, COPY each exercise on your own. Twice.
Trace or draw the box and then try copying the lines.
After that, do your own version. Again, this is the way we learned to write when we were little. It took practice.
Okay, now for the source:
There’s this movement that I call Draw Chi but it’s more commonly known as “Zentagle.” It’s a way of drawing very cool patterns that resemble the ornate designs of Illuminated Manuscripts. You can also say, it’s a type of very cool elaborate doodling.
The thing about this movement that is ideal for anyone learning to draw is how each pattern is taught step by step. That way there is no ambiguity as to where to begin and what to do. I like this method so much, I post a pattern every week as part of my newsletter.
I think this is what you’re looking for and will help you out a lot.
I’ve put together a list of my recommended books on the subject in the link below:
http://www.thedrawingwebsite.com/product/draw-chi-recommended-zentangle-books/
I hope this helps and, again, thanks for the question David.
Hi im new and I just created my own website on googlesites it is called artforpros. I want to create my own ANIME character and need to know what should I do first I want to create a male and female. Have any ideas?
Hi Ally, thanks for the question.
Anime style is a superficial design choices you apply to a solid head structure. The first thing you ought to learn to do is draw people. Representational or naturalistic is best. Once you’ve got that down you can start experimenting with different styles. There isn’t a step by step formula for this style since there’s many variations of anime style within anime itself (even though there’s lots of books that try to give you a formula). And the best anime artists know their anatomy, very well.
So I think my answer will probably not be to your liking. My answer is simply this, “Become a great draftsman and you will be able to do anime style at will.”
Usually when I get this question I also share this video as well, since the artist that made it really illustrates the point I’m trying to make. Check it out:
https://www.youtube.com/watch?v=FMUYG1hkY5c
I hope that helps.
thank you it helped me a lot!!!! 😉
I’m having too much fun with this exercise. Do i have to feel bored of this exercise to continue?
No, you don’t.
The signing and drawing thing is a nice incentive I would love, but since I’m from Spain I could only buy it vía Amazon, and I guess the Amazon ones do not have that perk 🙁
I would happily pay for the digital edition of any of your Drawing Fu books, though. A very good investment that would be. Maybe you could even kickstart the next one, so it would reach more people :)))
Thank you again for your answers and yes, good luck with your 2nd book, the first one will be hard to beat!! ;P
Alice
Hello, another newbie here!
I’ve been practising your exercises, C and S are no problem to my hand but ouch… straight lines…!!
The thing is, as a result of an accident my right wrist and elbow are bone-weld, I mean, they have no movement. The wrist is completely fixed while the elbow can move maybe a couple of grades, but it remains mostly at 90 angle degrees.
This means I can’t rely on wrist/elbow’s movements to draw, but only on fingers/shoulder’s (my neck is a bit affected as well)… so, since I keep reading about the importance of wrists and elbows on this subject (bloody straight lines!!) I would like to know your honest opinion:
– Should I be realistic about this thing and just go try to find another pastime to focus in?
– But then I think about fully disabled people who paint with their mouths or feet, and I wonder if the body itself may find a way to compensate only with MORE practice…
I would love to read your thoughts about it 🙂
Thank you in advance for your attention!
Alice
Hi Alice, thanks for the question.
In Central and South America new music was invented by people who had no idea how to play guitars or even how to tune them. They invented music with, out of tune instruments.
One of my figure drawing teachers, Glenn Vilpu, when talking about drawing, is fond of saying, “There are no rules, just tools.”
The wrist and elbow thing doesn’t work for you. But shoulders and finger do, so use them. There are a ton of artists who don’t use their wrists or elbows simply because they were never taught to use them. Also drawing big is when artist use there shoulders to draw. Just a thought.
Also, if you want a really straight line, you can always use a ruler. An approximated straight line is fine. No artist can draw perfect straight lines anyway. Oh, and a rough straight line made out of smaller straight lines is “valid” as well. I do that myself sometimes.
My point is, if you like drawing, draw. Advice on drawing is just that, advise. Do what works for you and throw out what doesn’t. “There are no rules, just tools.”
I hope that helps.
Thank you very much for your prompt answer, Luis!!
Your vision about it did help indeed! 🙂 I will give it a serious try, lets see how far can I go; unbelievable cool and stylish stick figures are my main goal for now haha!
By the way, I have to say: the way you teach is AMAZING. You don’t only allow us zero begginers to start from the very bottom but you do step into the most tiny doubts a newbie is really thinking about. First time I’ve seen someone teaching not “from above” as a teacher, but by the hand as a drawing fu friend.
I wish I’ve had met more teachers like you, college learning years would’ve been so memorable! 😀
Regarding your book “The art of Draw Fu – Begginers level”, is the one at the shop exactly the same one that you get for free when subscribing to your newsletter?
Alice
Thank you for the kind words. It only makes the second book that much more difficult to write ha ha ha!
Regarding the first book, yes, it’s exactly the same book. There’s no difference, except that the print version is…well…printed. Which a lot of people prefer over digital.
It’s also easier for me to sign and draw something in that book than it is a digital copy.
Hi Luis i want share some practice work with you, so please give me review how it’s look. and also have one question, this line exercises is improve my character designing? because i want to become master in character designing. so what you say, i continue to do that as my daily task?
http://s4.postimg.org/y7ie4jqkd/IMG_1732.jpg
Would you say this works with digital drawing aswell? I do not want to use pen and paper but my tablet I got before I realized I suuuuuck ( for now ) haha.
Yes, anything that can be done analog can be done digitally. Although I recommend learning to draw analog before you do it digitally. But that’s just a suggestion.
so when are you going to post more levels?
Okay so I get asked this a lot, and perhaps it would be a good idea for me to post links to the latest updates on the progress of the next levels.
I tend to let the newsletter subscribers know all this. I highly recommend subscribing because I send out a lot of good drawing info this way. That said, here’s a link to the two newsletter updates related to your question:
http://eepurl.com/FmNnj
In the link below, when I write “Lesson 2″ I meant to write “Lesson 1″:
http://eepurl.com/GxCgX
I’m now thinking, it might be a good idea to simply consolidate those two newsletters and create a post on the site out of them for everyone to read who has the same question.
Thanks for asking.
I really love this stage of drawing, especially straight lines, I usually do a main curvy lines all over the paper, and then do super detail with tiny straight lines. Also the differance between tons of space and tiny intricate detail is so much fun. I love it and for the first time feel like I am doing it right. I always wanted to draw and this is advice that makes me feel confident and not like people are overestimating me.
I’m very glad to hear that!
Today is my LUCKY DAY! I always wanted to learn how to draw but fearful of being laughed at. I am taking drawing course (beginner) and could not believe how enjoyable it is to be able to draw a beautiful stick. I also drew my hands which came out pretty good (according to my instructor) considering I had no experience whatsoever. Now that I have found your site I will follow your advice and hopefully I will be a good artist as well. Who knows once I gather a little bit of confidence with my work, I will be braved enough to display them on my website too. You are welcome to be my critic. 🙂
It would be awesome if you could post your drawings and share them.
There’s a Draw Fu Facebook group where you can do just that:
https://www.facebook.com/groups/697412070274059/
There are two schools of learning to draw. The “drawing from observation” school and the “drawing from your imagination” school. This site is staring from the later school and building toward the former. You really need both to be a well rounded artist.
I’m glad this info can be helpful.
Should the lines in these exercises be done with one stroke? I have done a few pages now, but I lift my pencil about 10 times for each line I draw, and turn the paper around to get a better angle to complete the “C” curves and “S” curves. Am I just fooling myself to believe that I am starting to get the hang of it? 🙂
Thank you for the question Jon. It’s a good one. I’m sure there are more people who would like to know the answer.
Multiple strokes is fine. Eventually, you might want to get it down to about three or so. You’ll get more confident as you go. I’m a bit of a sloppy drawer actually and I use multiple strokes all the time.
To be honest, I didn’t really know how to do a “proper” clean up line until I was on The Simpsons for about five years. I accepted a clean up job on a commercial. I told the person I knew how to do it, but I lied. I’d never done it before. The moment the person was gone, I called a friend who worked at Disney as a clean up artist and asked him if I could come over for lunch that day so he could teach me. He gave me a one hour crash course.
Turns out, the clean up guys that do such perfect lines use multiple strokes to do it.
AND turning the paper is KEY. For years in animation, when drawing on paper, our desks where equipped with “animation disks.” They were designed so that when we drew we could spin our paper as we drew.
http://fc00.deviantart.net/fs23/f/2007/327/9/1/Animation_disk_and_board_by_HMontes.jpg
Now a days, artists spin their Cintiqs.
http://inklingstudio.typepad.com/my_weblog/images/cintiq_3.jpg
In other words, you’re doing it right.
Trust your instincts.
Thanks Luis! Great answer!
My handwriting have been very bad since I started to learn how to write, so I never have pictured myself drawing anything remotely good. When I found your site and the lvl. 0, I though “lvl. 0? That’s me! Perfect!”.
And after reading and trying your exercises for a few hours, I actually think this is something I can do 🙂 You put it really simple, and start very basic. I like it! I look forward to get on to the other exercises!
Great to hear it Jon! And by the way, I have pretty awful handwriting.
At the end you said that this is the time to enjoy the lines doing what I want them to do but my lines never seem to do what I want them to. They are always too long or too short for the space I want them to go. Is it just that I need to keep practicing or am I doing something wrong? I feel really dumb asking this question but thought you might have some advice. Thanks
First, don’t feel dumb for asking a question. NOT asking it is what will keep you from learning.
Second, congratulations! You’re putting lines down on paper. Do you know how many people are scared to even do that? It’s crazy. It’s like pulling teeth. You should be proud you’re doing it at all.
Okay so, yes you’re right, you need to keep practicing. This exercise and the next one are the equivalent of doing push ups and sit ups in a Kung fu class. One push up or one sit up isn’t going to make you stronger. Doing ten once, won’t do much either. Doing them over and over…well that should start getting you somewhere.
The point of the exercises is three fold:
1. To get you to make marks on paper.
2. To help you recognize the three types of lines you will always use.
3. To build muscle memory.
Muscle memory is a big deal. It’s the reason martial artists practice their martial art forms over and over. It’s the reason a pianist practices the same song over and over. It’s the reason dancers practice their routine over and over.
It’s meant to create an automatic response that doesn’t require us to think.
Think about it, how often do you think about how to write a “J” or an “a”? You don’t. It’s become muscle memory now.
Which brings me to a little experiment you might want to try. I’m assuming you can write your name. I’m assuming that you can write your name inside a line of regular line paper. Which is interesting because that would mean you’re already drawing accurate controlled lines. Here’s what I want you to do:
Write your name inside the line of line paper using only one line. Then do it again, only write it bigger, using two lines instead of one. Then do it again, with three…etc. Keep doing it. Keep making your name bigger.
Here’s me doing it. Notice how accurate and perfect my writing gets (HINT:It doesn’t. I start losing more and more control as I go.):
Page one
http://www.thedrawingwebsite.com/wp-content/uploads/2013/11/photo-1-764×1024.jpg
Page two
http://www.thedrawingwebsite.com/wp-content/uploads/2013/11/photo-2-764×1024.jpg
Page three
http://www.thedrawingwebsite.com/wp-content/uploads/2013/11/photo-3-764×1024.jpg
Page Four
http://www.thedrawingwebsite.com/wp-content/uploads/2013/11/photo-4-764×1024.jpg
The bigger your name gets, the trickier it will become. Notice as you do this what kind of control you have or don’t have. Are you doing well or bad as you get bigger? If you’re doing well, why do you think that is? Muscle memory? Confidence? Pre-visualization? (More on that in a moment)
If you’re not doing so well, doesn’t it mean you can’t write? No, of course not. You’re simply not used to writing that big. If you did that a lot, you’d probably get better at it. Your body is just not used to it. It lacks the muscle memory.
If you did well up to a point, part of the reason was pre-visualization, combined with muscle memory. Pre-visualization is when you see the thing you want to create in your mind before you do it. You know what you need to do before you put a line on paper. Then the muscle memory takes over and you’re done. Even though you’re not used to drawing the letters that big, you’ve done a small version so many times that you can pre-visualize a bigger version.
Drawing accurate lines is like that. You simply have to practice. As you can see, even I have problems with it after all these years, so don’t feel too bad.
Just so you know where you’re headed, read the “Tracing like a pro” post:
http://www.thedrawingwebsite.com/2012/10/24/the-secret-of-tracing-like-a-pro-basic-under-drawing-techniques/
That gives you the secret of making a more accurate controlled line, with a little less pain. But I still recommend you do the beginning exercises.
I hope this was helpful. Don’t give up. All this drawing stuff requires a little old fashioned Kung fu.
Now I feel dumb- scrolling back up through the comments I saw somebody had already asked this question. Sorry, I know it must be annoying getting a question twenty billion times
No problem Kristen. I hope the answer helps.
Level zero- perfectly describes me lol. Reminded me a bit of Po from Kung Fu Panda when Master Shifu said there is now a level zero. I’m pretty bad at drawing even though I’ve always wanted to, so when i came across your website i was very excited and hopeful! I’ve been practicing the line exercises- when do I know that I’ve mastered those excercises well enough to be able to put my best foot forward on the next lesson?
Thanks so much for the awesome website,
Kristen
I just started going through your site, and I’m very impressed. I’m a writer; I’d like to eventually write graphic novels and animated films. I’ll never be an artist, but when I work with illustrators, I want to be able to get some of my ideas across. A simple sketch is a lot faster than trying to explain a visual idea verbally.
My usual goal when drawing is to win at Pictionary. When I do, it’s because I get the basic ideas across quickly. A lot of my more artistic friends get caught up drawing “the right thing” and forget their goal. For my drawing, I’m trying to find that happy medium between simplicity and clarity.
Anyway, I think one of the most confusing things for laypeople when they see professional sketches is this multiple line business. I can’t speak for everyone, but it’s strange when you say to draw a straight line from A to B and I see a smattering of lines between various points through the alphabet. I’m sure there are advantages later on (like with inking, I assume), but what should newcomers know about the technique? Does it help or is it just something the pros do?
I hope you continue to update the site. I’m always looking for more information, and all of your advice has helped so far. Keep up the good work!
That’s a fantastic question, thanks for asking.
Okay so, the multiple lines are the writing equivalent of, a first draft.
The artist puts down a line fast and it’s not perfect so he puts down another just as fast, which is also not perfect. He may do so more times or leave it at two and continue on. Somewhere within the threshold of the multiple lines is the correct one. The artist, when roughing something out, is not concerned with perfection, just the idea.
Like when a writer writes a first draft. It’s more important to finish than to get it perfect. That’s what consecutive drafts are for. Editing is much easier than getting it all down to begin with. But in order to edit, the writer must know grammar and spelling well. The writer must know when something needs polishing up and they must know how to polish it. They should, at the very least, know how to write a clear readable sentence.
Drawing a precise line comes in when doing a final polish on a drawing. It’s not necessary at the “rough draft” stage. Getting precise and perfect comes at the end when cleaning up or inking. That is when precision skill comes in.
The sketch phase is all about not being perfect but getting the idea down. Stopping and erasing every line that isn’t perfect when sketching is just a big waste of time and stops the energy and momentum of the work.
I’m teaching precision skill first, simply to build confidence, and because, when we first learned to write sentences, we were taught to write them correctly. Only later were we taught we could break the grammatical rules sometimes.
I hope that answers your question.
As for updates, I’m working on new lesson even as I write this. They will be up soon.
Hi Luis
I just came across your site, and I really like it. This is the problem I have been struggling with for some time. I use to draw when I was a teenager, I’m just now getting back into it. I would like to progress in my drawing to become an illustrator for childrens books. It takes me so long to sketch because I am constantly erasing and trying to get it prefect in the beginning, that I get so frustrated and set it aside. I’m starting to lose my joy of drawing again. I will be following your site closely.
Hi Cathy,
I feel your pain. I know what it’s like for something to not turn out right the first time. Which is why I stopped worrying about it. The problem is thinking that you OUGHT to get it right the first time. Instead, my a suggest you treat your drawings as “drafts.”
You do a first draft, or pass, then you draw over that making edits and adjustments, then again, draw over that and make adjustments, etc. until you get what you want. This is what I do and many professionals do. I suggest take a look at Lvl 0 Lesson 4. In it, I talk directly about this problem:
http://www.thedrawingwebsite.com/2012/10/24/the-secret-of-tracing-like-a-pro-basic-under-drawing-techniques/
I hope this helps.
So, I’m super new to art but I work really well with plans or schedules. Is there a specific time frame for this exercise or perhaps a “mile-marker” I should be looking for to tell me when I should move on?
That’s a good question. Unfortunately, the answer is subjective. I had my daughter do some of these exercises. She had no problem with them at all so I just told her, “Okay, this is not a problem for you. Let’s move on.” In other words, once you feel comfortable, move on. If you’re having a difficult time with them, keep doing them until you feel comfortable. If they’re boring you to tears because these are too easy, move on. As you get better and more advanced, this the way you’ll gauge what you need to work on.
I hope that helps.
A refreshing answer indeed, thank you for the reply!
Thanks very much!
Thank YOU.
Thanks for making this. I have a question about pencils. I’m new to drawing, but have drawn long enough notice when the pencil wears to a different size. I sharpen it, but it’s still a little different. I’ve tried to hone it by scribbling/shading on scrap paper. I wonder, am I sharpening to much? It seems like a lot of pencil gets wasted. I’m not losing sleep about it and at my level it doesn’t really matter, but I’m curious if there is any sharpening methods or am I insane for taking time out of my life to think about sharpening.
Sorry to get back to this so late. Holidays.
Okay, to answer your question:
If you’re obsessed with a sharp pencil, then yes, you’re going to be sharpening a lot.
I sometimes get this way. It’s not about “sharpening too much” you just want a certain final line.
There’s a place for dull pencils, like when your adding tone to big areas. There’s a place for a sharp pencil, when doing details or when you want a specific final line effect.
Here’s what I suggest.
I also suffered from over sharpening. I like a fine controlled line even when roughing out drawings. This is why I use a mechanical pencil. One with a .5 point and one with a .7 point. the .5 point I use for clean up jobs and fine work. The .7 I tend to use to sketch with. I recommend you try them out and see if they work for you. No sharpening required, and you always get a fine line.
That said, I might write an article or make a video just on sharpening, the purpose of different “points” and how to use them.