Design Simple Cartoon Characters from Flat Shapes
November 7, 2012 in Beginners, Lvl 0
An essential aspect of creativity is not being afraid to fail. ~Edwin Land
You've made it to the finish line!
So you're tired of drawing stick figures and you want to draw something that's...well, more interesting.
You want to start doing "real" drawings that LOOK like something.
Well, I've got good news for you. If you've stuck with it and made it this far, you're ready to start drawing stuff you didn't think you'd be able to before.
Here's where all your time and work pay off. By the time your done with this lesson, you'll be able to create your own drawings and characters, just like I promised...IF you've put some Kung Fu into the process, and have been practicing.
You've got almost all the knowledge you need to do it. All you need to know now, is what I tell you below.
So let's get to it.
Flat Shapes are Foundational to Drawing
EVERYTHING that you will EVER draw, can be broken down into a flat, two dimensional shape. <= CLICK TO RETWEET
EVERYTHING.
Beginning drawing books often start you off drawing Spheres, Cubes, and Cylinders. ALL those things are good things to know how to draw, but not yet.
Why?
Because each one of those "three dimensional" shapes are made out of TWO dimensional shapes. In fact, they AREN'T "three dimensional" shapes at all, they are STILL two dimensional shapes that SEEM to be "three dimensional."
Let's call a Spade a Spade here.
Our drawings are always going to be two dimensional. We can only give the illusion of being three dimensional.
Mastering control of flat 2d shapes will help you out immensely.
The Magic of Flat Shapes
Flat shapes are very versatile even without being three dimensional. You can do wonders with them alone.
Careers have been made by artists who don't go beyond working with flat two dimensional shapes.
It's impossible for me to show you ALL the ways they can be used in drawing, SO I've chosen ONE way to use them in this post. Perhaps as this site grows, we can investigate the other ways.
For now, let's concentrate on how to make fun cartoon characters using flat shapes.
Shapes and Design
Remember in Lesson 3 when I wrote about the harmony between Contrast and Balance? Well, when it comes to creating characters with flat shapes, this principle still applies.
If you've forgotten what I wrote or if you've simply skipped the post, I recommend you go back and read or reread it. The following is an extension of that lesson.
Remember the shapes we practiced drawing in Lesson 2? Well, it's time to use them again.
Just like with the stick figures, when we create a character from these three shapes, it's all about creating contrast with the spacing of the proportions.
BUT, now that we have shapes, there are two more elements to think about:
- Spacing contrast and
- Size contrast.
Spacing contrast - Means you make sure you space out the shapes in interesting way. Trying to avoid spacing that is too balanced which would make the design dull.
Size contrast - Simply means your trying to put shapes of different sizes next to each other to create interest.
So let's break down all the components including the two new ones:
In Figure 2 we can see on the right how the proportions break up in a balanced yet contrasted way.
In point 1, the face favors the bottom half of the head shape and is not perfectly centered. Also even the mouth itself favors one side of the face to another. All the features are also very close together rather than being spaced evenly apart.
In points 2 and 3 we see an example of size contrast. The size of the circle shaped head is larger than the rectangle of the body which it's connected to. The body is not only proportionally smaller, it's also smaller in width.
Points 3, 4, and 5 also contrast. Notice the length of the arm and hand are longer the body, and obviously thinner.
Point 4 and 5 contrast, not only in size but also in shape. Now, this isn't something you that is done all the time but sometimes, a round shape next to a hard edged shape is a good mix and contrasts well too.
Point 6. The spacing of the legs here is something well worth pointing out. They are NOT evenly spaced out. By which I mean I favored the outer part of the body to attach them to rather then where the green arrows are actually located. The reason for this is, again, to add interest.
Alright now let's take a look at yet another example:
Let's break this guy down:
In Figure 4 we see how the head, neck, body and legs, are broken down and contrast against each other by seeing the break down on the right.
On the left, we see how the square shape of his face and body proportions contrast with the leg proportions.
In point 1, we see how his face favors the top of the head and his features are all in a very concentrated space.
Points 2, shows us the interest that is caused by not only making sure the legs are proportionally shorter but that they're also much smaller in width. The contrast is large shape vs. small shape.
In point 3, we see that the ear is not placed right in the middle of the side of the head but favors beings slightly lower.
Now, in point 4 we see the hands and arms but unlike the hands and arms on Figure 1, it's a triangle and a square. I kinda don't like the way it looks. I prefer the triangle and circle combination. Perhaps it's because the hand shapes in Figure 1, sharp edge shape vs. rounded shape, contrast more than two hard edged shapes in Figure 3. This might be a matter of personal taste though.
An Example of These Shapes in Real Productions
I asked fellow artist Evan Lewis to help show you examples of how these shapes have been used in actual animated productions.
There was a little kid's show called WOW WOW WUBZY. The characters were very appealing and they were all made of basic shapes.
Here's some designs Evan made up, using the "Wubzy style":
As you can see in Figure 5, the characters are flat, two dimensional, and cute.
Let's break them down to their component parts:
In Figure 6, you can see BOTH characters are made out of basic shapes. The one on the left is made mostly of squares and rectangle with the edges rounded off while the character on the right is mostly circle and ovals.
The character of the left's proportions are subtly different. While the main overall length from the top of the ears to the neck are more clearly contrasted to the the rest of the body down to his feet.
The character on the right is even clearer. Large body length and short feet length. Large body shape, small legs and feet size.
Now it's Your Turn
Your exercise is simple, draw some characters.
Remember this grid from Lesson 3? Time to use it again just like you did then:
Simply left click and press the "Save Link As..." button to save it to your computer. Then print it out and start drawing on it.
Like this:
If you don't want to use the grid, that's okay. Just remember to keep track and measure your proportions the way I showed you in the "Pro Tips" on Lesson 4.
Here's some examples of what you might come up with. Instead of me, doing the example, we can see how another draftsman approaches the exercise.
Here's what Evan did doing this exercise:
Notice how Evan drew it all in ballpoint pen on regular line paper.
You can do this anywhere.
Also notice that you can see he did some light under drawing with the pen before he committed to putting down a dark final line.
At this point, you can draw! Better then most of the people you know!
Have fun.
Enjoy your new ability.
Trouble?
Q: YEAH! You said I'd be able to draw by this point but everything I do STILL looks crumby! You haven't helped me at all!
A: How much time did you spend on each exercise? Ten minutes? Thirty? A week? Do the exercises until you get it. Don't just do lip service to them. That's how you fail. If you aren't being serious enough about getting it, you won't. You aren't putting in the Kung Fu.
Repetition is key. Do these things until they become second nature and then, suddenly, people will say to you,
"Wow, you're SO talented!" Which will probably make you want to slap yourself upside the head. If they only knew.
Pro Tip
Let's get a bit ahead of ourselves here.
When I was in high school, I made a discovery during Summer School that changed the way I designed my cartoon characters. I discovered the secret behind making my designs go from amateur designs to professional looking designs.
Here it is, for you to take advantage of. Are you ready?
Do everything I wrote about above, only...make up the shapes.
That's it. Simply make up some interesting shapes. Suddenly your cartoons will look like they've jumped to the next level. Because they have.
I will write more about this in a later Level. For now, that's my tip for you. Give it a try.
Questions?
I can’t help you if you don’t ask.
What’s your burning simple character design questions?
Is there something you’ve always wanted to know about simple character design? Ask.
I’ll give you my best answer and, who knows, probably write a post about it.
Leave any comments and questions in the comments below.
Or better yet, sign up to receive more information via e-mail. You’ll get extra tips and advice. You can ask me questions that way also.
Hi Luis,
In your Q/A section you have that part where it says “you didn’t teach me anything” or something like that. You reply to this by asking how long the person has practiced which brings me to my question (please read on it is not what you are expecting right now).
When you ask how long they have practiced I am thinking to myself that I am no where near beyond the content skill wise but do you really mean for me to spend weeks or months drawing out stick figures, patterns and basic shape cartoons? If so that is okay and I will do it but I find myself wondering how original any of it will be past the first week or two. Does it matter if it is not original? I am worried that I will get good at doing these trivial things and not be able to get beyond it.
When I was younger I copied a face that my older brother had created (he was the one who got the natural drawing talent not me). I became really good at that face but I could not draw anything else nearly as well.
Hi John,
Thanks for the question.
When I talk about practice, I simply mean that, if it comes easy, then move on. If you’re having problems with something for example, like drawing circles, practice drawing more circles until they become easier to do. They don’t need to be perfect, just easier. You can then move on from there. You’ll be drawing circle for the rest of your artistic life anyway so you’ll get better as you go. But when you’re really struggling at one thing, do it over and over until it’s not such a struggle. Then you can move on.
And no, it doesn’t need to be original. All great artists copy and steal from their favorite artists. They just do it so badly that you can’t tell and everyone thinks they’re doing something unique, ha ha ha! That’s what people call “their style.”
The point of doing the shape and line exercises is to gain confidence with making marks. What you want to do is get to point where you’re comfortable drawing 3D shapes so you can draw the foundations of what makes something like a good face. The reason you could only draw that one face was not because you don’t have the ability to draw, but rather because you didn’t understand the structure and construction that faces are made of. You were copying the details without understanding what the details meant, so you couldn’t create anything new.
It’s as if you didn’t know how to read but you copied a sentence from a book. You made the letter look like the letters and put all the spaces in the right place but you don’t understand what you wrote nor can you make sentences yourself.
Does that make sense?
I hope I answered your question.
Yo Luis 😀
Thanks again for this awesome website, I am really enjoying the lessons.
I have a small problem though, I can copy the drawings here quite well. However, I am having a hard time breaking drawings in my mind into triangles and squares and circles, or even making anything as cool as these with them.
I can picture characters and other stuff perfectly fine in my head though.
Is that normal ? what should I do ?
Hi Sherif,
It’s perfectly normal that what you have in your head doesn’t come out on paper. It’s very rare when it does. Also, I don’t know what your process is but if you’re only doing one version of a drawing it’s less likely that it will even be close. I’d recommend you simply keep drawing more versions of it until it gets closer to what you want. That’s what I do. Sometimes it takes me a day or two. Taking breaks then trying again and again.
That’s actually the usual process. And make it rough, it doesn’t have to be clean and beautiful the first time. It’s a waste of time to make a clean drawing you don’t want. If you like it, make a clean drawing over it.
Also, it doesn’t have to be perfect the first time you draw something. When you first started writing when you were young, the letters weren’t perfect from the start, yet somehow we assume that our drawings should be? The more you do it, the more conditioning you do for your body and mind and the more your muscle memory will kick in.
Then people will say, “your so talented,” and you’ll start getting annoyed. Ha ha ha!
Hope that helps.
Hey Luis! Firstly, this website is amazing! The lessons are entertaining and fun to do, and I’m learning so much from this. Thank you so much for making these lessons.
I have one little question, which is a little weird because my characters have some sort of random life of their own. I have an idea in mind, then start drawing it out, but then I suddenly start drawing something completely different from my original plan. Don’t get me wrong, they turn out to be alright, but I’m having trouble drawing from the imagination (which I know a lot of people have problems with) and getting the character I want. Do you have any tips or advice about this?
Sorry, I’m not sure if I’ve explained it very well, but thanks again for your amazing work!
Thanks for the question Vinci, I think I understand.
I think what happens to you happens to just about everyone. Including myself.
Part of the problem is assuming you’re going draw what you have in mind the first time around. That doesn’t always happen. It rarely happens. Most pros usually fill up a page of “attempts” of what they have in mind. Call it “exploration.” Artists often build on their last attempt, often taking what was working and then taking the drawing in the direction they originally wanted to go. Which ends up not being what they wanted and so they repeat the process until they reach their goal.
It’s simply part of the process. If you don’t believe me, just look at how many versions of the characters I’m now using as mascots on this site I had to create before I got what I wanted:
http://www.thedrawingwebsite.com/2014/04/02/wheres-the-level-1-lessons/
I hope that helps.
So Iv’e been following your previous tutorials and found that they work great! With the tracing one, I even discovered a new style of drawing I had never tried before. The problem is, once the idea of shapes is put into it, I lose all inspiration. I guess I just don’t know how to vary the shapes enough to create characters that I’m happy with. Would it be bad to just to move on to the next lesson without completely mastering this one?
Great question Siena,
Yes and no. On the one hand, sure move on. Continue learning and practicing other things. You don’t have to “master” it. I haven’t. It’s no big deal. However, drawing thing you’re satisfied with is all about getting good at drawing shapes. You’ll need to continue practicing it if you’re really going to get better.
I do have a tip that might help, and that is, copy other people’s shapes. Look at other cartoon characters, and just use their shapes. You don’t have to directly copy those cartoon characters themselves but you can use their shapes to create new characters. That way, you don’t have to make up new shapes yourself, but you make new characters. And you get used to drawing shapes also.
Hope that helps.
Once again, super helpful! I’m having a blast making simple characters.
Oh good! That’s awesome.
this is kind of a personal question 😛 when you are making cartoons and stuff, when you are drawing them do you ever feel like. how to word this… like your drawing lacks a soul. i was drawing a cartoon. (my ability has increased greatly due to your help, thanks btw!) and compared to other things i had doodled it seemed lacking in…life. its a hard feeling to describe but i was wondering if you got that same feeling of lifelessness every now and again when your drawing a character. >.< forgive me if i am being too serious
Ha ha ha! It’s not a strange question. The answer is yes. It happens to everyone. When it happens to me, I rough out the drawing again and again and again, and rework it again and again, until I capture the life or “soul” that I intended.
thanks for the quick response, i actually did go back and redrew it a bit, erased a line here and added stuff here and there and it just sprung to life on me 😛 i appreciate it. i would love to show you some of the stuff i have been drawing. (i wont lie though i half skipped the simple shapes step [because i know about the drawing shapes to make characters then rounding them out thing yadda yadda, and frankly i love how things are turning out.] 😛
hey luis I got a problem, when i do some thing i get on really well, but when ever i am starting a new excersie i have tendency of saying i wull do it tommarow, then end up not doing anything that day….any help/advice for this? rwally appriciate how much effort u put on each lesson though, thanks luis!
That’s a tough one. We all go through this sort of thing.
The advice that I’ve come up with for this is the one I tend to use, schedule it.
Don’t just say you’ll do it. That’s too nebulous. Set a specific time during the day when you will actually do it.
I usually set an alarm on my phone to go off when it’s time for me to do a thing, that way I don’t forget. Then when it goes off, I commit. It doesn’t have to take too long. Just fifteen minutes will do, but commit to those fifteen minutes.
You come up with an amount of time to spend when your alarm goes off and commit. That’s it. It’s not hard but requires commitment.
Thanks a lot luis, sorry for bothering you again but whats a kneaded erasers my mate keep saying get it its brilliant?
Here’s a link to a video that can explain it better than I can write about it:
http://www.youtube.com/watch?v=HkSlXLohrTc
Ohhh…thanks luis
i really wish they had manga and anime
Just wanted to let you know how much I appreciate the time you took to make this website. There has always been a love-hate relationship between drawing and me. In my teens I would spend hours with a pencil and some paper, only to finally glance at what I “drew” and cringe inside. It never seemed to look good. So I kind of gave up, believing that without TALENT there’s no use trying. Years later, I decided to let the creative side of me out again. Bought some books, did some internet research and stumbled upon your page. Thank you for making me want to practice, everywhere and on everything 😉 And although my flat shape characters from today’s lesson are just plain silly and really basic (compared with Evan’s), I will not wander off the Drawing Path. Keep the Kung Fu coming!
Thank you for the kind words. Hearing your story made my day. It’s great news to hear. Keep on moving forward.
One secret I will reveal to you here about cringing over what you drew and not thinking it’s any good…that NEVER goes away no matter how good you get. This doesn’t mean you’re a good artist or bad artist. It only means you’re ambition is greater than your current skill level. And it will ALWAYS be that way. The moment it isn’t is the moment you stop learning. The trick is not to mind not being as good as your ambition. That way, you always move forward.